A Love Supreme: Intuition and Improvisation in Philosophy of Religion

In this paper, I will analyze the significance of the concept of intuition in the context of the philosophy of religion by examining the relationship between intuition and the role of improvisation in jazz music, with particular reference to the intersection of musical and religious intution in the work of John Coltrane. Improvisation, like philosophical intuition, is a rationally grounded practice through which a soloist freely interacts with the musical themes of the composition, composing "on the fly" on the basis of the melodic and chordal qualities of the composition, and yet not strictly constrained by those qualities. Particularly within the bop and avant-garde genres, the soloist may follow their musical intuition far beyond the musical base defined by the chorus of the composition, seeking ever deeper expressions of musical truth revealed within the composition.