Sacred Hauntings: Childhood Agency in the Horror Genre

Children as a rhetorical device are central to the horror movie genre. Their presence often takes the shape of the one who is haunted (or is an agent of haunting) in a way that relates to questions of meaning making or divination. Using Jacques Derrida’s notion that the combination of psychoanalysis and cinema is, in essence, the science of ghosts, I will examine how the oppression of young people is a cyclical pattern that has become a part of the creative, cultural imagination. The minimizing effect of individuals and institutions that casts a child as the person of tomorrow comes into conflict against a subversive reality in the horror genre which might indicate another way forward.