The Woman at the Margins: Violence, Gendered Erasures, and Recoveries in Memories of Java’s Islamization

This paper approaches the intersection of gender and violence in Javanese Islam by using as a heuristic the historical narrative of a violent murder in early modern Java where a woman, despite her central role, is erased from the story. It examines attempts in contemporary Javanese theater to recover the woman in the story as a strategy of revisionist mythmaking and an avenue for women’s agency and resistance. Specifically, it focuses on a play produced by self-identified Muslim women with a feminist project in which a woman’s courageous intervention prevents the murder, presenting a non-violent historical vision as a normative model of Islamic ethics. Because the play conceptualizes this re-vision as a recovery of a truth that became distorted by colonial scholarship, the feminist and decolonial project are intimately linked in the play’s recovery of early Javanese Islam as a normative vision of Islamic orthodoxy for today.