CAN THE SUBALTERN SING? Towards a Dalit Sonic Liberation Theology for an Anti-Caste Society

This paper employs the concept of heterotopia to investigate the pivotal role of Dalit music and alternative spaces in fostering resistance and empowerment within Dalit communities. Through an analysis of the Casteless Collective's provocative music and utilization of diverse platforms, including social media and live performances, this study delves into the intersection of caste, gender, class, and ecological perspectives within Dalit musical traditions. Drawing from Michel Foucault's notion of heterotopia as counter-sites that challenge societal norms, the paper examines how these spaces enable Dalit artists to subvert oppressive structures and amplify marginalized voices. By exploring the Dalit sonic liberation theology, the paper seeks to harness the power of sound and rhythm to dismantle caste, gender, class, and ecological injustices, offering new pathways for theological discourse. Through a feminist Dalit lens, this research illuminates the transformative potential of music and alternative spaces in envisioning an anti-caste society and amplifying the voices of the silenced.