How Art Resists: Creative Expressions of Incarcerated Artists at Maximum-Security Prison for Women

This paper reflects on an art class at a women's maximum-security prison. Here, art stands as a defiant counterpoint to the system's dehumanization. Prisons reduce individuals to numbers and enforce singular narratives. Philosopher Merleau-Ponty argues that our bodies are central to how we experience the world, but prisons, a site of bodily confinement, disrupt this. Art becomes a "second layer of flesh," offering two key insights: 1) Reclaiming Subjectivity: incarcerated artists express their inner selves through art, defying the prison's narrative. Paintings become a window into their complexities and experiences. 2) Social Connection: The act of creation fosters connection. It's not just about the physical act of creating, but the web of experiences and relationships woven into the art. This reminded the incarcerated artists that they were part of a larger social fabric, not isolated units. While art doesn't offer simple solutions, it challenges the prison's one-dimensional view. Art pushes us to re-imagine systems that value the whole person.