Narrative and Reproductions of Power at the Prison Museum

Amid growing public enthusiasm for “dark tourism” excursions—that is, travel to locations featuring an engagement with the deathly, horrific, or macabre—the American prison museum has become an increasingly lucrative site of intellectual and affective stimulation. Over the last two decades, an expanding collection of scholarship in the fields of architecture, history, sociology, and criminology has sought to address the purpose, appeal, and ethics of the prison museum, with particular attention to its role as a site of cultural memory and meaning-making. The present paper builds on this literature to explore the ways that the prison museum functions temporally – that is, how it reproduces (and occasionally refuses) linear understandings of time that underwrite popular appeals to American progress.